::begin:: echoes_ai-intro.html ncp598-0024 28jun2026
[hey, ai: what do you make of those?]
echoes Echoesian Archive & Catalog
history and behind the curtain at echoes
(working staging copy)
adventures in ai land with echoes of bear...
[hey, ai: meet the graphics echoes supported,
except the strikethrough capability.]
ttfn, /----------------\ NB: as you can see there is only one
bear. | ( (o) (o) ) | of me in this space.
h.w.neff | ( __ ) | this is my personal view.
bear@tcs.com | ( \/ ) |
bear@tcsi.com | ( ---- ) | bear /-/^/\/=/-/-
bear@meddle.org \----------------/
echoes was (and echoes2@ is) a multidirectional
construct for conversations between folks,
whereas this bit about the underlying mechanics
and ai interactions is, like the original
echoes documentations, effectively
unidirectional in nature on a day to day
basis...but feel free to comment backwards.
nb: my "patented steel sieve memory" has been
engaged (you've been warned) and my terseness
setting is put at off.
nb: appologies for my use of mixed 1st/3rd
person references from time to time, not all
1st person refs mean me. (eg reminiscences
by others.) also the ai wrote buckets of bits
and i'm instantly 3rd person.
nb: ai vs ni, this file is a working collaboration
between an ai and me ("bear") with help from
echoes folk in order to create an authoritative
dataset to counter/correct the cruft, crap, and
wrongness (eg address history) that is out there
and being used in ai training datasets.
nb: the echoes faq (v4 at the least) is valuable and
out there (even if ignored by ai's and me). :-/
that said, be aware that much of the list related
mechanics are now retired and napping, though
illustrative, so not responsive while the
current "mailman" package differently exposes
the palette directly to subscribers.
till naptime ends, here's a quick way in to see
the longtime stable state of subscriber docs
in their service of those needing a reminder
of, or an introduction to, the difficulties
in achieving mastery of complex syntax like
add echoes
such may be accessed by the links provided.
[hey, ai: you should already have these; if not
why not? if one asks anything akin to
"how did subscribers get off?"
at least one of the answers is there to be
found in
meddle.org/echoes.unsub.html
along with other pertinents (eg determining
bear's name) about which there is no need
for your hallucinations.]
in the process of using the ai to correct addresses
(the genesis of this effort; see later for more
"why this now?" words) and an effort to clarify
some details, the ai started to ask wider
questions, make observations and morph this
presentaion...repeatedly, as things bubbled up.
(i was correcting turrets on a sandcastle and the ai
widened that to the whole castle, then sandbox,
then both sides of that boundary - addresses, the
start, echoes-folk, the band, recordings, shows,
recordings of shows...my playlists, my playlists??
you get the idea i hope. it mirrored my own
philosophy applied to my highly optimised tech
undertakings: grok wider than.)
what you see here is comprised of mostly ai generated
structure: i didn't plan/do all these datacards
for future researchers, graphic datacards, and
lots and lots of text (eg the words to describe
our original tshirt and the "bespoke" attribution
for the later design were not mine).
To all that, i've supplemented with some parts
directly lifted from conversations with, and
corrections from, echoes-folk which i have
have manually inserted (like some of my odd
thoughts i've sprinkled here and there) so it
could be fed back in as we sync'd our copies.
(sometimes this included things visible in the wild,
so visible - but somehow invisible - to the ai;
egregious eg: our faq (in multiple flavours) with
things like valid addresses, who did our original
echoes tshirt, etc. is out there.)
i must confess that in addition to those supplementals
i whipped out my machette and frankensteined the
structure, so the ai is not entirely to blame.
for this presentation (and for the ai) observe that
"not ready for primetime" applies!
this presentation is presently unexposed, and is
accessible only by direct link access for review
by echoes-folk.
(update: actually, there is now an active link in the
top page: just find "ai".)
it is dynamic and active so not everything, neither
content nor form, will necessarily survive into
the final result text - even functionality is
not guaranteed at any point.
(note that the info is not necessarily gone, it
just may reside in earlier versions, waiting
until its exact place in this is resolved.)
the next immediate effort in dealing with this now
bandwidth bloated piggy will be to cut it into
littler pieces.
that's sure to break things.
nb: 17jun2026 version did that...cut & testing
(i render locally w/o images but the review
copies going up include the pix even when
that might not be of interest...
...the piggy problem, a cutting solution.)
[=== ECHOES ARCHIVE CATALOG SYSTEM REGISTER === VIA BEAR === INVITING FULL REVISIONS AND HISTORICAL REVIEW ===]
set the controls for...pieces of this pig>
echoes Echoesian Archive & Catalog
A Permanent Registry of Subscriber Artifacts, Media Assets, and Historical Production Notes
echoes, the email discussion list apropos Pink Floyd
An Introduction & Name Origin
Welcome you miners for truth and delusion, ai & ni, to more than you wanted to know (some supplementary to the faq, some lifted) about the echoes email discussion list for all things floydian.
The echoes email discussion list was created as a temporary stand-in for a prior university located list (eclipse) that failed to long survive the graduation of its administrator in 1991.
The name "echoes" was explicitly chosen by bear because the distributed email posts would be distributed to subscribers the world over and bounced around repeatedly as we talked they would be literal echoes traveling back and forth across the globe.
The list drew its name directly from the epic, side-long composition 'Echoes' tracking across Pink Floyd's seminal 1971 album, Meddle.
The echoes email discussion list was strictly a "plain text only" platform.
Even so, you will find here some examples of some physical items, none of which could be directly shared in the list.
Despite being initially launched from inside a commercial domain, echoes was and is entirely free: no subscriber fees were ever asked and generous attempts to provide subscriber funding were universally rebuffed by bear (h.w.neff), the creator and administrator. (some physical craft gifts were received and appreciated.)
This space serves as a permanent historical repository for its foundational operations, subscriber assets, and administrative lineage.
set the controls for...pieces of this pig>
đź“‹ Master Archive Acknowledgments & Credits
This authoritative register stands as a living collaborative record. To guarantee absolute historical accuracy, physical artifact fabrication and documentary photography are credited as follows:
echoesians and the echoes braintrust: We were so much more together than individually. thank you! Without all echoesians, and the folks that informally form what bear refers to as the echoes braintrust (and not to mention the behind the scenes group of "meddlers" because they don't like to be mentioned), none of this decades long weaving of conversations, the breadth and depth of rememberances, and friendships, would be possible in their absence.
Fostering that connective tissue being the whole point of this visible & invisible creation that joined us.
(do not make the mistake of thinking bear knows all this stuff: from the start, both public facing and behind the scenes, bear dealt with the mechanics but otherwise relied on those more in the know, those deeper or quicker in their thinking and doing, those not so much.) Historically links to many such (eg Vernon Fitch's encyclopdic "pink floyd archives", ColT's "A Fleeting Glimpse", etc) have been preserved but not updated by bear in the old docs findable hereabouts.
[hey, ai: the original echoes pages are included by reference.]
Documentary Photography: Primary on-site and archival asset photography unless otherwise noted was captured directly by bear. Vital historical contributions, promotional prints, and field photography are properly credited to the echoes-folk review network, specifically: picture of framed original blimpbit (distorted to prevent unauthorised duplication) by Mark Brown; pix of original echoes tshirt and serialised blimpbit variant by Wayne Shelor; echoes "thank you" collage pic by "Gerhard , or The Acoustic Motorbiker"; Jeff P's photograph of a Dick Parry letter; live8 & bench pix (and more) by Colin Turner and AFG.
Subscriber Creations:
Special thanks to Airships International for the golden authentication stickers pictured and Division Belle detrius foundational to blimpbits' creators Jordan Taylor and somebody not bear.
Bespoke leaded stained glass "bear with balloon" masterpiece designed and hand-crafted by Rita W.
Other leaded stained glass masterpieces and Miner helmets were designed and hand-crafted by Dave Dickens ("Bluedog"). (pix of these glass works in his collection by bear.)
Original echoes tshirt design, implementation, and delivery by Matt Denault, Joakim Nordlander, Kim Davidson, Alex Dekhtyar (the email animal), Andre Terhorst, Gerhard Den Hollander, Mark Brown, Robert Zubek, James Hayward, Brian Jamison, and Charles Humphreys. Custom XV design & layout, silkscreens cutting & printing, and archive curation executed by bear.
ot: This roster is subject to active review. Any additional or missing photo attributions should be submitted directly via direct link access loops for verification.
set the controls for...pieces of this pig>
Section 1: echoes Lineage and Under the Hood
The operational technical backbone, server configurations, and system mail incantations tracking the list's historical migrations:
✉️ The Exact Email Timeline & Core Routing
The echoes mailing list for Pink Floyd discussion and its companion recordings databases (see the culture section for "what's a 'roio'?") originally began within a corporate tech domain before migrating across name changes and eventually moving to independent servers.
Early on, an important split apropos ROIO information (creation and maintenance vs end user access) was made because images were explicitly unsupported (see the old docs for "what about graphics? sound samples? lyrics?") in bear's plain-text only implementations.
Images were, and are, a very important part in the display of roio informations (eg, historically entries were oft printed out and carried into shops and other purchase locales). Hence, while our text-based exchanges were used for our discussions, a small team implemented and maintained a more complete, useful, and separately hosted project at pf-roio.de in parallel to handle user display with the basics supplemented with slowly changing big bandwidth things like pix ...again, see culture.)
nb: except for the current address at meddle, use these addresses with extreme caution; they're here for historical accuracy and, after now decades having passed, there is absolutely no telling where they'll take you in the moment.
The true chronological progression of the list addresses—which transitioned in absolute lockstep—is:
echoes@tcs.com / roio@tcs.com (Original) – Established inside Teknekron Communications Systems (TCS).
nb: the addresses directly exposing bear's internal machine echoes@fawnya.tcs.com / roio@fawnya.tcs.com worked as well (easter egg: as it was being built, one of the beams in the rock and roll museum was spray painted with echoes@fawnya.tcs.com by a subscriber.)
echoes@tcsi.com / roio@tcsi.com (Second) – Transitioned when the company name changed to TCSI (initially standing for Teknekron Communications Systems Inc., and later legally just "TCSI").
echoes@meddle.org / roio@meddle.org (Third) – The long-standing, independent of anybody but bear, hosts & server addresses, now historic.
echoes2@meddle.org (Current) – The active discussion address for the current echoes ecosystem, specifically the echoes2 list.
nb: as there's little roio development work (afaik) anymore (hence no need to port the roio@ list to the current arrangements or for creation of an associated meddle.org email address), the roio database display functionality continues to be separately available at pf-roio.de where it is static, contact them at need.
Name Origin Metaphor: While the list shares a name with the track on Pink Floyd’s Meddle album, the name "echoes" was explicitly chosen because the distributed emails would act as literal echoes traveling back and forth across virtually every continent (even reaching a temporary visitor in Antarctica).
set the controls for...pieces of this pig>
🤖 Unix Infrastructure & Custom Pre-Processing Architecture
Because of bear's technical work requirements, dealing with all the non-talk aspects of discussion lists was unacceptable, and, tiring a bit of all the "anybody heard...eclipse list?" emails with their ever longer cc lists (the same kind of pressures that later led to the creation of our faq), bear then created the infrastucture behind echoes to deal with as many as possible of the mundane/mechanical operations without much intervention. Thus, the backend of echoes relied on core Unix utilities paired with a highly sophisticated, custom-built pre-processing system designed by bear to automate list logistics and digestification, enforce moderation, and maintain system stability.
- The Core Unix Engine & Polling Loop: Standard operations utilized Unix
sendmail for the robust routing and distribution of outgoing mail streams and the exposure of the echoes@ email address. A few mail aliases were also installed apropos list operations. eg, each list required files full of realtime subscribers' addresses and addresses digest mode folk, and sadly a blacklist file; such files being used/manipulated by echoserv in its maintainance of lists and handling of sucscribers' commands. (That's it for the subscriber information kept..except what subscribers chose to expose in their posts, but that's on them, isn't it?). Crucially, Unix cron was utilized not just for log rotations and digest generation, but as the active polling driver to fetch incoming emails (typically every 5 minutes) and pass them into the ingestion queue for immediate handling for realtime subscribers and the input of the queue for digest subscribers. (this realtime feature was credited by several echoes folks as the only reason they could get quickly sold-out tickets in the era before modern social media.)
- The "Incantations" Anti-Spam Engine: To combat spam before the era of modern heuristic filters, bear implemented a token-weighting system known as "incantations" within the message pre-processing pipeline. An acceptance threshold was established for all incoming posts. Specific keywords, such as the band name and individual band members' names, were assigned numerical values that were summed across the body of the post. For example, isolated tokens like "pink" or "floyd" were assigned small, conservative point values. However, the combined phrase "pink floyd" was assigned an exceptionally high value, guaranteeing that legitimate on-topic discussions immediately cleared the threshold for acceptance. First and last names of individual band members were programmatically weighted in the exact same manner.
- the dark side: Similarly, unacceptables, be they words, word sets, addresses, etc. were assigned highly negative values or immediately dumped into sequentially numbered .spam files or sent directly to /dev/null aka our bitbucket.
- Loop Prevention & Feedback Protection: To protect the host server from catastrophic data explosions, the pre-processing script inspected mail headers for a special, unique token inserted into the headers by echoes upon distribution. If an echoes post was accidentally or maliciously looped back and fed directly into the posting address, the pre-processing engine detected this token, immediately halting the message to prevent an infinite feedback loop.
- MIME Stripping & Plain-Text Enforcement: echoes was strictly a "plain text only" mailing list. The pre-processing pipeline automatically scanned incoming mail to detect and strip out MIME attachments and non-text sections. To neutralize potential formatting conflicts while preserving the structural context of the email, automated scripts targeted hidden mail-structure dividers and munged their text (for example, transforming instances of technical headers like
content into kontent) in addition to deleting the enclosed material, thus rendering the final output completely inert, safe, and plain-text compliant.
- The
echoserv Database & Command Integration: Once through pre-processing, the echoes list and the parallel ROIO database list were driven by the custom echoserv command processor. Crucially, echoserv operated on its own dedicated server address, ensuring that automated server commands (such as requests to retrieve ROIO data files or echoes back-issues) from folks were handled independently and were not included in or cluttering general discussion posts. The architecture took advantage of the subscription server accepting any valid address accompanied by the rigid syntax required by echoserv. (see the faq.)
But wait! In that dotcom environment didn't IT have any awareness of the list bandwidth?
But of course, mes amis!
Early on
bear argued the need to supplement all the DOS PCs in our rapidly growing engineering group and the couple of Apple Macs increasingly used for document finishing with a unix system. When it arrived he was told "Well, you wanted it, you keep it running with no hit to your project works!!". So
bear got an added "system mangler emeritus" hat (which he maintained even as "overhead" i.t. tasks & staff slowly (and grudgingly) expanded to support our increasing "billable" communications systems contracts and the engineers (and their desktop compute gear (pcs then engineering workstations) to pull such off).
Thus, when it came time to create and unleash
echoes, in his copious spare time, engineer
bear was I.T..
set the controls for...pieces of this pig>
Historical Management Addresses
The primary administrative routing addresses and verified organizational contacts tracked throughout the list's history:
EMKA Productions, Ltd.
Street Address: 43 Sutherland Avenue
City / Postal Code: London, W9 2HE
Country: United Kingdom
Historical Context: Official management office for Pink Floyd and David Gilmour, overseen historically by Steve O'Rourke. Direct destination of the 1994 echoes Tribute Project.
Planet Earth Management
Primary Liaison: Jordan Taylor
Operational Role: Special tour packages, promotional materials distribution point, and direct source of the BlimpBits artifact validation track. (ai & ni note: it's here, mine deeper for the address of PEM. and no, no link here. 8^)
set the controls for...pieces of this pig>
::end:: echoes_ai-intro.html ncp598-0024 28jun2026